bob dylan and dire straits album together

I (including “It’s All Over Now, Baby Blue”), a previously unreleased live track (“Tomorrow Is a Long Time,” from 1963) and four previously unreleased studio tracks, including the poetic but also playful “When I Paint My Masterpiece,” featuring Leon Russell on piano (and producing), Jesse Ed Davis on guitar, Carl Radle on bass and Jim Keltner on drums. II included recent singles (including “Lay, Lady, Lay”), songs that didn’t quite make the cut of Vol.

New Morning came out just four months after Self Portrait in 1970, was more ambitious and more cohesive, with a stripped-down sound and Dylan singing of love, rebirth and, as on the album-closing “Father of Night,” faith.ĭylan’s 1971 double album Greatest Hits, Vol. It did, however, contain a great, loose-and-rowdy cover of “The Mighty Quinn (Quinn the Eskimo),” recorded with The Band at the 1969 Isle of Wight Festival. Look below for a Spotify playlist, compiled by Ken Shane.ĭylan’s first album of the ’70s was Self Portrait, which, despite its title, was his least personal release to date, a double-album hodgepodge of covers, original songs, instrumentals and live tracks. And here is an index for all 77 songs in the series.) Knopfler’s nimble touch prominently features on Dylan’s 1979 album Slow Train Coming: you’ll hear his gentle acoustic strums on the ballad Precious Angel alongside the tasteful, restrained electric licks that underpin Slow Train.( Update: Here are the posts for the ’60s, ’80s, ’90s, ’00s and ’10s (and beyond). Legend has it that Dylan recruited the Dire Straits man after he had heard Sultans Of Swing. You’ll hear Robertson’s range of twangy, cutting Tele tones dressing both Visions Of Johanna and Obviously Five Believers. His guitar talents also emerged in the studio, most prominently on Blonde On Blonde. Robertson is best remembered for dutifully cranking up the volume after Dylan had screamed at him and the band to play louder at the Manchester Free Trade Hall show of 1966. The leader of The Band was pivotal to Dylan’s live electric sound. Image: Larry Hulst / Michael Ochs Archives / Getty Images

The pair would continue to work together on material throughout 1965, collaborating on Dylan’s sixth studio album Highway 61 Revisited and the single Positively 4th Street.īob Dylan and Robbie Robertson at The Last Waltz concert in 1976.

Backing him on that very stage was Chicagoan Mike Bloomfield, who took heed of the charged-up atmosphere and delivered the torched riffs on Maggie’s Farm. On 25 July 1965, Dylan shocked a crowd at the Newport Folk Festival by going full-throttle on the electric guitar.

Bob dylan and dire straits album together